{"id":6317,"date":"2024-02-27T15:02:44","date_gmt":"2024-02-27T14:02:44","guid":{"rendered":"https:\/\/editorialconcreta.org\/?page_id=6317"},"modified":"2026-04-29T11:42:50","modified_gmt":"2026-04-29T09:42:50","slug":"artists-books","status":"publish","type":"page","link":"https:\/\/editorialconcreta.org\/en\/artists-books\/","title":{"rendered":"Artist&#8217;s books"},"content":{"rendered":"\t<div class=\"cnvs-block-section cnvs-block-section-1709049420125 cnvs-block-section-layout-full pagina_libros cnvs-block-section-fullwidth\" >\n\t\t<div class=\"cnvs-block-section-outer\" style=\"\">\n\t\t\t<div class=\"cnvs-block-section-inner\">\n\t\t\t\t\n\n<div class=\"cnvs-block-section-content cnvs-block-section-content-1709049432307\" >\n\t<div class=\"cnvs-block-section-content-inner\">\n\t\t\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-18458 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-english tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/ha-gente-na-via-volume-2-arquitetura-jardins-e-hortas\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"H\u00c1 GENTE NA VIA Volume 2 \u2013 Arquitetura, Jardins e Hortas\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web.jpg 2000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web-1536x1536.jpg 1536w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web-800x800.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web-1160x1160.jpg 1160w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web-1200x1200.jpg 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/Portada-web-400x400.jpg 400w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2025-11-18T11:33:19+01:00\">18\/11\/2025<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/ha-gente-na-via-volume-2-arquitetura-jardins-e-hortas\/\" target=\"_self\" >H\u00c1 GENTE NA VIA Volume 2 \u2013 Arquitetura, Jardins e Hortas<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Carla Filipe<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">This publication is the second volume of H\u00e1 Gente Na Via, by the artist Carla Filipe. It is dedicated to architecture, gardens, and orchards, and is composed of photography and text. Its main focus is the universe of Portuguese railways, based on a photographic archive that the artist created between 2005 and 2025. The artist\u2019s book is the chosen exhibition medium for presenting photographs accompanied by a variety of texts, following a metalanguage methodology that seeks to place the subject in perspective and expand the field of reflection through new discursive significations. <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/english\/\" rel=\"tag\">English<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-18456 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-english tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/negative-landscape\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Negative Landscape\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web.jpg 2000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web-1536x1536.jpg 1536w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web-800x800.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web-1160x1160.jpg 1160w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web-1200x1200.jpg 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/Negative-Landscape_Portada-Web-400x400.jpg 400w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2025-10-29T19:36:42+01:00\">29\/10\/2025<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/negative-landscape\/\" target=\"_self\" >Negative Landscape<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Kimia Kamvari<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">This book presents the exploration that Kimia Kamvari carried out around sinkholes in Iranian territory between 2019 and 2021. It brings together the core of her work: a series of meticulous and methodical photographs, accompanied by cartographic plates and texts that help us understand the artist\u2019s perspective on the phenomenon while also encouraging that of the reader. <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/english\/\" rel=\"tag\">English<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-16455 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-english tag-ingles tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/the-crossing-of-the-ebro-run-silver-blue\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"960\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/04\/concreta-libros-teresa-lanceta-portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"The Crossing of the Ebro. Run, Silver-Blue\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/04\/concreta-libros-teresa-lanceta-portada.jpg 960w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/04\/concreta-libros-teresa-lanceta-portada-400x400.jpg 400w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2025-04-07T17:56:46+02:00\">07\/04\/2025<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/the-crossing-of-the-ebro-run-silver-blue\/\" target=\"_self\" >The Crossing of the Ebro. Run, Silver-Blue<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Teresa Lanceta<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Teresa Lanceta \u2014recipient of the 2023 National Prize for Visual Arts\u2014 presents this work in book format, where her personal experience converges with collective memory&#8230; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/english\/\" rel=\"tag\">English<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/tag\/ingles\/\" rel=\"tag\">Ingl\u00e9s<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-12466 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/muros-de-viento-sarcofagos-cristalinos\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Muros de viento. Sarc\u00f3fagos cristalinos\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1.jpg 2000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1-1200x1200.jpg 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1-1536x1536.jpg 1536w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1-800x800.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/concreta-libros-artista_maria-garcia-ruiz-muros-viento_portada-1-1160x1160.jpg 1160w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2024-06-24T17:53:18+02:00\">24\/06\/2024<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/muros-de-viento-sarcofagos-cristalinos\/\" target=\"_self\" >Muros de viento. Sarc\u00f3fagos cristalinos<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Mar\u00eda Garc\u00eda Ruiz<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">In Muros de viento. Sarc\u00f3fagos cristalinos, the author proposes to review these two phenomena as opposite symptoms of a new conception of space that was implemented at that time and that continues to operate today more than ever. However, the publication is not a conclusion to this question, but offers possibilities for connections through a selection of displaced images and fragmented texts. These materials are organised in such a way that it is precisely in the rhythm, pauses or silences between images and texts that Mar\u00eda Garc\u00eda Ruiz invites us to look for hypotheses. <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-7274 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/recuerdo-de-sevilla\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Recuerdo de Sevilla\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada.jpg 1000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada-300x300.jpg 300w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada-600x600.jpg 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_inmaculada-salinas_recuerdo-de-sevilla_portada-800x800.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2023-02-27T16:07:07+01:00\">27\/02\/2023<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/recuerdo-de-sevilla\/\" target=\"_self\" >Recuerdo de Sevilla<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Inmaculada Salinas<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The work of Inmaculada Salinas (Guadalcanal, Seville, 1967) revolves around &#8220;the feminine&#8221;, understood as a social subject, which she places in a position that is not usually found, in which everything revolves around her. Salinas analyzes how this concept has been portrayed and transmitted throughout history through different systems of visual representation. In Remembrance of Seville\u2014an investigation that began in 2014\u2014the artist analyzes the social mechanisms that contribute to the invisibility of women through a rereading of the iconography of Seville and its 162 streets labeled with women&#8217;s names. <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-6321 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-english tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/greetings-from-the-usa-saludos-desde-espana\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Greetings from the USA &#8211; Saludos desde Espa\u00f1a\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada.jpg 1000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada-300x300.jpg 300w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada-600x600.jpg 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2023_cristina-arribas-y-juan-jose-lahuerta_saludos-desde-espanna_portada-800x800.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2023-02-27T15:08:17+01:00\">27\/02\/2023<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/greetings-from-the-usa-saludos-desde-espana\/\" target=\"_self\" >Greetings from the USA &#8211; Saludos desde Espa\u00f1a<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Cristina Arribas &amp; Juan Jos\u00e9 Lahuerta<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Greetings from the USA &#8211; Saludos desde Espa\u00f1a (julio 2023) es una publicaci\u00f3n de Cristina Arribas que trata sobre la penetraci\u00f3n de la modernidad americana como modelo de \u00abmodernidad espa\u00f1ola\u00bb. Designed by Filiep Tacq and with an exchange of letters with Juan Jos\u00e9 Lahuerta, this visual essay presents the impudence and self-confidence with which Spain copies what is American from the prism of postcards. La visi\u00f3n conjunta de una tarjeta postal americana del Arco Gateway de Saint Louis (Misuri) junto a una espa\u00f1ola del arco de acceso a Torreblanca del Sol, en Fuengirola, abri\u00f3 a su autora un camino (una&hellip; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/english\/\" rel=\"tag\">English<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-6324 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-english tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/deep-song-rehearshal\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Deep Song Rehearshal\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada.jpg 1000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada-300x300.jpg 300w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada-600x600.jpg 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/02\/concreta-libro-artista_2022_lola-lasurt_ensayo-para-deep-song_portada-800x800.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2022-02-27T14:08:50+01:00\">27\/02\/2022<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/deep-song-rehearshal\/\" target=\"_self\" >Deep Song Rehearshal<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Lola Lasurt<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Last March 2022, Lola Lasurt (Barcelona, \u200b\u200b1983) presented Ensayo para Deep Song (Centro Federico Garc\u00eda Lorca, Granada), an exhibition project in which the Catalan artist is based on the choreography Deep Song (1937) by the dancer Martha Graham , created in response to the still and moving images reaching North American audiences about the Spanish Civil War. Lasurt translates Graham&#8217;s performative gesture into a pictorial act, without forgetting the relationship with the work of Federico Garc\u00eda Lorca that inspired her title: Poema del cante jondo (1931). This bilingual publication (Spanish and English) reinforces Lasurt&#8217;s investigative work in the contemporaneity of&hellip; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/english\/\" rel=\"tag\">English<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-7276 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/libro-que-espera-su-edicion\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Libro que espera su edici\u00f3n\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada.jpg 1000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada-300x300.jpg 300w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada-600x600.jpg 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2022\/02\/concreta-libro-artista_2022_salome-molto-y-floreal-rodriguez_libro-que-espera-su-edicion_portada-800x800.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2022-02-27T13:09:45+01:00\">27\/02\/2022<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/libro-que-espera-su-edicion\/\" target=\"_self\" >Libro que espera su edici\u00f3n<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Salom\u00e9 Molt\u00f3 y Floreal Rodr\u00edguez de la Paz<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A book awaiting publication (January 2022), by Salom\u00e9 Molt\u00f3 and Floreal Rodr\u00edguez de la Paz, covers the construction process of the monument in the vicinity of the Albatera concentration camp, where thousands of people were held. This field was one of the hardest during Franco&#8217;s regime. The importance of this document in book form (made in 1995 and edited in facsimile form under the care of Lorenzo Sandoval), on the one hand, comes from a time when historical memory was still approached in a timid way. On the other hand, the relevance of the publication is given by its inscription&hellip; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-14384 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/i-romance-ii-martinete-iii-debla-and-iv-pregon\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"960\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/concreta-libros-isaias-grinolo-portadas.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"I romance, II martinete, III debla and IV preg\u00f3n\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/concreta-libros-isaias-grinolo-portadas.jpg 960w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/concreta-libros-isaias-grinolo-portadas-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/concreta-libros-isaias-grinolo-portadas-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/concreta-libros-isaias-grinolo-portadas-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/concreta-libros-isaias-grinolo-portadas-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/concreta-libros-isaias-grinolo-portadas-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/concreta-libros-isaias-grinolo-portadas-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/concreta-libros-isaias-grinolo-portadas-800x800.jpg 800w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2021-08-28T17:17:00+02:00\">28\/08\/2021<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/i-romance-ii-martinete-iii-debla-and-iv-pregon\/\" target=\"_self\" >I romance, II martinete, III debla and IV preg\u00f3n<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Isa\u00edas Gri\u00f1olo<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">In these four volumes, artist Isa\u00edas Gri\u00f1olo presents projects in which he relates memory, poetry, economy, ecology and other themes through the compilation and conglomeration of heterogeneous materials and sources. His work combines in a singular manner the political&#8230; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-14370 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/quema-los-diarios\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Quema los diarios\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada.jpg 2000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada-1200x1200.jpg 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada-1536x1536.jpg 1536w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada-800x800.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2020\/06\/concreta-libros-artista_moyra-davey-quema-los-diarios_portada-1160x1160.jpg 1160w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2020-06-24T19:23:00+02:00\">24\/06\/2020<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/quema-los-diarios\/\" target=\"_self\" >Quema los diarios<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Moyra Davey<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The work of the artist Moyra Davey (Toronto, 1958) has traditionally been associated with photography, film and video. However, her book Quema los diarios (November 2020) shows how literature and writing play a very significant role in her artistic production, which is increasingly close to publishing artists&#8217; books. The interweavings and resonances between her filmic works are manifested, on this occasion, in the form of quotations. This first edition in Spanish is based on the generous reflections&#8230; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-14372 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-english tag-portuguese tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/brasil-pais-do-futuro\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Brasil, pa\u00eds do futuro\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada.jpg 2000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada-1200x1200.jpg 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada-1536x1536.jpg 1536w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada-800x800.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_carla-zacagnini-brasil-pais-do-futuro_portada-1160x1160.jpg 1160w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2016-06-24T19:15:00+02:00\">24\/06\/2016<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/brasil-pais-do-futuro\/\" target=\"_self\" >Brasil, pa\u00eds do futuro<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Carla Zaccagnini<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">&#8220;Brazil, country of the future&#8221; is almost an axiom, an automatic statement, something like &#8220;Paris, the city of light&#8221; or &#8220;New York, the big apple&#8221;; derivations, perhaps, of the distinctions with which aristocrats were nicknamed: &#8220;Mary, the mad&#8221;, &#8220;Ivan, the terrible&#8221;, &#8220;Philip, the beautiful&#8221;. On this occasion, Carla Zaccagnini proposes an investigation into the territory, natural resources and people of Brazil, based on the research of a series of publications such as the homonymous work&#8230; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/english\/\" rel=\"tag\">English<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/portuguese\/\" rel=\"tag\">Portuguese<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-14374 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/las-calles-habladas\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Las calles habladas\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada.jpg 2000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada-1200x1200.jpg 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada-1536x1536.jpg 1536w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada-800x800.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2016\/06\/concreta-libros-artista_clara-boj-calles-habladas_portada-1160x1160.jpg 1160w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2016-06-24T19:08:00+02:00\">24\/06\/2016<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/las-calles-habladas\/\" target=\"_self\" >Las calles habladas<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Clara Boj y Diego D\u00edaz<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">A sound experiment in geolocalised narrative that is constructed in real time with information found on the Internet in relation to the streets we are walking along. The real city and its digital experience merge in a sonic drift that sometimes relates to the context and sometimes presents itself in a totally abstract form. This book collects the text generated by the app&#8230; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-14376 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-english tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/timelines\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Timelines\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada.jpg 2000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada-1200x1200.jpg 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada-1536x1536.jpg 1536w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada-800x800.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_lia-timelines_portada-1160x1160.jpg 1160w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2014-06-24T18:49:00+02:00\">24\/06\/2014<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/timelines\/\" target=\"_self\" >Timelines<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Lia Perjovschi<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The artist&#8217;s book Timelines (April, 2014) by Lia Perjovschi shows a timeline developed through the juxtaposition of images and text that forms the subjective history of the world from the Lythic Age to the present day. In addition, a series of notes and keywords written by the artist narrate these events, revealing her particular vision of the world&#8230; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/english\/\" rel=\"tag\">English<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-14378 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/esperpento\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Esperpento\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada.jpg 2000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada-1200x1200.jpg 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada-1536x1536.jpg 1536w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada-800x800.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2014\/06\/concreta-libros-artista_inigo-royo-esperpento_portada-1160x1160.jpg 1160w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2014-06-24T18:43:00+02:00\">24\/06\/2014<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/esperpento\/\" target=\"_self\" >Esperpento<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">\u00cd\u00f1igo Royo<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">The artist&#8217;s book Esperpento (November, 2014) was created by combining images of Spanish geography obtained from Google Earth and small fragments of dialogue from \u2018Luces de Bohemia\u2019 by Ram\u00f3n Mar\u00eda del Valle Incl\u00e1n&#8230;. <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-14366 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-english tag-portuguese tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/boletim\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Boletim\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada.jpg 2000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada-1200x1200.jpg 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada-1536x1536.jpg 1536w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada-800x800.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2013\/06\/concreta-libros-artista_carla-filipe-boletim_portada-1160x1160.jpg 1160w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2013-06-24T18:23:00+02:00\">24\/06\/2013<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/boletim\/\" target=\"_self\" >Boletim<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Carla Filipe<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Following the example of the French and English railway companies, the C.P. (Portuguese Company) promoted, between the 1910s and 1920s, the construction of buildings for housing and social facilities to support its employees and their families. In the first quarter of the 20th century, the Boneco neighbourhood&#8230; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/english\/\" rel=\"tag\">English<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/portuguese\/\" rel=\"tag\">Portuguese<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><li class=\"wp-block-post post-14364 post type-post status-publish format-standard has-post-thumbnail category-artists-books tag-spanish cs-entry cs-video-wrap\">\n\n<div class=\"wp-block-columns pagina_libros_column is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom imagen_pagina_libros is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\"><figure class=\"wp-block-post-featured-image\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/prensadas\/\" target=\"_self\"  ><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2000\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Prensadas\" style=\"object-fit:cover;\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada.jpg 2000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada-1200x1200.jpg 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada-400x400.jpg 400w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada-732x732.jpg 732w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada-768x768.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada-1536x1536.jpg 1536w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada-80x80.jpg 80w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada-110x110.jpg 110w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada-380x380.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada-800x800.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2012\/06\/concreta-libros-artista_inmaculada-salinas-prensadas_portada-1160x1160.jpg 1160w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom pagina_libros cnvs-block-core-column-1709036927396 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div class=\"wp-block-post-date\"><time datetime=\"2012-06-24T18:30:00+02:00\">24\/06\/2012<\/time><\/div>\n\n<h2 style=\"font-size:1.65rem;line-height:1.3;letter-spacing:0px;\" class=\"tit_libros wp-block-post-title\"><a href=\"https:\/\/editorialconcreta.org\/en\/artists-books\/prensadas\/\" target=\"_self\" >Prensadas<\/a><\/h2>\n\n<div style=\"font-size:0.7rem;line-height:1.7;text-transform:uppercase;letter-spacing:0.07em;\" class=\"has-link-color autor_libros_main wp-elements-b59437f91ee11a10893f475757ca31c9 wp-block-post-author-name has-text-color has-primary-color\">Inmaculada Salinas<\/div>\n\n<div style=\"font-size:0.93rem;line-height:1.72;\" class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">&#8216;Press images are for me an inexhaustible source of material to work with in one way or another. Some time ago I realised that, almost unconsciously, I collected images that I grouped together in one of my folders without a specific subject&#8230; <\/p><\/div>\n\n<div class=\"taxonomy-post_tag wp-block-post-terms\"><a href=\"https:\/\/editorialconcreta.org\/en\/tag\/spanish\/\" rel=\"tag\">Spanish<\/a><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer pagina_libros_espaciador\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide px_1\"\/>\n<\/div>\n<\/div>\n\n<\/li><\/ul><\/div>\n\n\t<\/div>\n<\/div>\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\t\n\n\t<div class=\"cnvs-block-section cnvs-block-section-1718021796726 cnvs-block-section-layout-full enlinea_home cnvs-block-section-fullwidth\"  id=\"publitodos\">\n\t\t<div class=\"cnvs-block-section-outer\" style=\"\">\n\t\t\t<div class=\"cnvs-block-section-inner\">\n\t\t\t\t\n\n<div class=\"cnvs-block-section-content cnvs-block-section-content-1718021796710\" >\n\t<div class=\"cnvs-block-section-content-inner\">\n\t\t\n\n<div class=\"cnvs-block-row cnvs-block-row-1719399852732 cnvs-block-row-columns-2\" >\n\t<div class=\"cnvs-block-row-inner\">\n\t\t\n\n<div class=\"cnvs-block-column cnvs-block-column-1719399852932\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\n\n<h2 class=\"cnvs-block-section-heading cnvs-block-section-heading-1719400015794 halignleft\" >\n\t<span class=\"cnvs-section-title\">\n\t\t<span>ADS<\/span>\n\t<\/span>\n<\/h2>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"cnvs-block-column cnvs-block-column-1719399852953\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"cnvs-block-row cnvs-block-row-1718021539624 cnvs-block-row-columns-2\" >\n\t<div class=\"cnvs-block-row-inner\">\n\t\t\n\n<div class=\"cnvs-block-column cnvs-block-column-1718021539844\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"227\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/01\/banner_Txuspo_Poyo.gif\" alt=\"\" class=\"wp-image-18321\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/01\/banner_Txuspo_Poyo.gif 1000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/01\/banner_Txuspo_Poyo-768x174.gif 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/01\/banner_Txuspo_Poyo-380x86.gif 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/01\/banner_Txuspo_Poyo-800x182.gif 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"cnvs-block-column cnvs-block-column-1718021539856\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.artium.eus\/es\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"227\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/banner-concreta-2025.jpg\" alt=\"\" class=\"wp-image-17569\" style=\"object-fit:cover\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/banner-concreta-2025.jpg 1000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/banner-concreta-2025-768x174.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/banner-concreta-2025-380x86.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/10\/banner-concreta-2025-800x182.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"cnvs-block-row cnvs-block-row-1718021796511 cnvs-block-row-columns-6\" >\n\t<div class=\"cnvs-block-row-inner\">\n\t\t\n\n<div class=\"cnvs-block-column cnvs-block-column-1718021796359\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.estudiopacomora.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"684\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/banner-estudio-paco-mora-23.gif\" alt=\"\" class=\"wp-image-12117\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/banner-estudio-paco-mora-23.gif 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/banner-estudio-paco-mora-23-380x433.gif 380w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full cnvs-block-core-image-1718023352324\"><a href=\"https:\/\/elbabenitez.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"685\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/10\/EBDG_GaleriaElbaBenitez_BannerConcreta24_web.gif\" alt=\"\" class=\"wp-image-15065\" style=\"object-fit:cover\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/10\/EBDG_GaleriaElbaBenitez_BannerConcreta24_web.gif 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/10\/EBDG_GaleriaElbaBenitez_BannerConcreta24_web-380x434.gif 380w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"cnvs-block-column cnvs-block-column-1718021796386\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/artslibris.cat\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"685\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/11\/AL-concretabanner.jpg\" alt=\"\" class=\"wp-image-15117\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/11\/AL-concretabanner.jpg 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/11\/AL-concretabanner-380x434.jpg 380w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full cnvs-block-core-image-1718023356018\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"685\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/03\/GIF.-Banner-Web-Alarcon-Criado-AYP.gif\" alt=\"\" class=\"wp-image-18535\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/03\/GIF.-Banner-Web-Alarcon-Criado-AYP.gif 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/03\/GIF.-Banner-Web-Alarcon-Criado-AYP-380x434.gif 380w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"cnvs-block-column cnvs-block-column-1718021796413\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/bulegoa.org\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"685\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/banner-buleoga-23.jpg\" alt=\"\" class=\"wp-image-12101\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/banner-buleoga-23.jpg 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/banner-buleoga-23-380x434.jpg 380w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full cnvs-block-core-image-1718023359866\"><a href=\"https:\/\/laoficinagaleria.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"685\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/10\/LA-OFICINA-2024-2.gif\" alt=\"\" class=\"wp-image-15062\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/10\/LA-OFICINA-2024-2.gif 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/10\/LA-OFICINA-2024-2-380x434.gif 380w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"cnvs-block-column cnvs-block-column-1718021796440\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/masterfotografia.es\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"685\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/banner-master-foto-23.gif\" alt=\"\" class=\"wp-image-12092\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/banner-master-foto-23.gif 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/06\/banner-master-foto-23-380x434.gif 380w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full cnvs-block-core-image-1718023365527\"><a href=\"https:\/\/www.uv.es\/uvweb\/cultura\/es\/uvcultura-1285865909702.html\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"160\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/04\/MAIG26_CONCRETA.gif\" alt=\"\" class=\"wp-image-18759\"\/><\/a><\/figure>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"cnvs-block-column cnvs-block-column-1718021796468\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\n\n<figure class=\"wp-block-image size-full cnvs-block-core-image-1718023396602\"><a href=\"https:\/\/artingenium.com\/es\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"685\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/05\/Banner-Concreta-Artingenium.jpg\" alt=\"\" class=\"wp-image-16698\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/05\/Banner-Concreta-Artingenium.jpg 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/05\/Banner-Concreta-Artingenium-380x434.jpg 380w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/travesiacuatro.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"2242\" height=\"2560\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/web-scaled.jpg\" alt=\"\" class=\"wp-image-17697\" style=\"object-fit:contain\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/web-scaled.jpg 2242w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/web-641x732.jpg 641w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/web-768x877.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/web-1345x1536.jpg 1345w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/web-1794x2048.jpg 1794w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/web-380x434.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/web-800x913.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/web-1160x1324.jpg 1160w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2025\/11\/web-1200x1370.jpg 1200w\" sizes=\"auto, (max-width: 2242px) 100vw, 2242px\" \/><\/a><\/figure>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"cnvs-block-column cnvs-block-column-1718021796496\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"685\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/03\/expo-CCDUPV_CONCRETA.gif\" alt=\"\" class=\"wp-image-18506\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/03\/expo-CCDUPV_CONCRETA.gif 601w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/03\/expo-CCDUPV_CONCRETA-380x433.gif 380w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/grisconcepte.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"685\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/banner-gris-concreta.gif\" alt=\"\" class=\"wp-image-14341\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/banner-gris-concreta.gif 600w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/08\/banner-gris-concreta-380x434.gif 380w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t<\/div>\n<\/div>\n\n\n\n<div class=\"cnvs-block-row cnvs-block-row-1718956377578 cnvs-block-row-columns-2\" >\n\t<div class=\"cnvs-block-row-inner\">\n\t\t\n\n<div class=\"cnvs-block-column cnvs-block-column-1718956377536\" >\n\t<div class=\"cnvs-block-column-inner\">\n\t\t<div>\n\t\t\t\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/teatenerife.es\/exposicion\/para-que-podamos-vivir\/257\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"227\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/04\/AAFF_LaLaguna_ConcretaBanner.png\" alt=\"\" class=\"wp-image-18674\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/04\/AAFF_LaLaguna_ConcretaBanner.png 1000w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/04\/AAFF_LaLaguna_ConcretaBanner-768x174.png 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/04\/AAFF_LaLaguna_ConcretaBanner-380x86.png 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/04\/AAFF_LaLaguna_ConcretaBanner-800x182.png 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/lavac.es\/en\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"227\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/04\/af_banner_horiz_1000x227_LAVAC.jpg\" alt=\"\" class=\"wp-image-18764\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/04\/af_banner_horiz_1000x227_LAVAC.jpg 1000w, 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