{"id":8565,"date":"2024-04-24T12:05:41","date_gmt":"2024-04-24T10:05:41","guid":{"rendered":"https:\/\/editorialconcreta.org\/?page_id=8565"},"modified":"2026-04-06T13:14:00","modified_gmt":"2026-04-06T11:14:00","slug":"home","status":"publish","type":"page","link":"https:\/\/editorialconcreta.org\/en\/","title":{"rendered":"Home"},"content":{"rendered":"\t
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\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\tOn performativity, capture, and resistance. Wu Tsang in conversation with Enrique Fuenteblanca\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\tOver the past few years, Wu Tsang and Enrique Fuenteblanca have collaborated on projects that explore the figures of Bizet\u2019s Carmen, Picasso, bullfighting, and flamenco\u2014and the institutional…\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/article>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t\t<\/div>\n\n\t\t