{"id":16542,"date":"2025-05-05T12:21:03","date_gmt":"2025-05-05T10:21:03","guid":{"rendered":"https:\/\/editorialconcreta.org\/?p=16542"},"modified":"2025-05-05T17:25:46","modified_gmt":"2025-05-05T15:25:46","slug":"the-papers-of-the-exhibition-1977-2017","status":"publish","type":"post","link":"https:\/\/editorialconcreta.org\/en\/concreta-texts\/the-papers-of-the-exhibition-1977-2017\/","title":{"rendered":"The Papers of the Exhibition (1977-2017)"},"content":{"rendered":"\n
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An exhibition is a collection of objects brought together in a specific physical space. Visitors encounter forms and artifacts that share the same spatial and temporal framework. This allows the viewer to walk through the space and trace their own paths, engaging in a direct, though mediated, encounter between their body and the objects. An exhibition is also a device that allows for developments and overflows beyond the given framework. Alongside the exhibition is the essay. A polysemic term, it refers on one hand to a text\u2014a literary work of reflective or discursive nature\u2014and on the other, to a test or experimental process. The title The Papers of the Exhibition<\/em><\/em> (1977-2017) <\/em>thus refers to two meanings of the same object: the exhibition as a site for the production of thought and as a testing ground. The curatorial symposium of the same name took place through five sessions held between 2016 and 2023 at Azkuna Zentroa \u2013 Alh\u00f3ndiga Bilbao. Its aim was to study exhibitions spanning a forty-year period, and it brought together over thirty readings of as many exhibitions from recent history, offering various perspectives on the exhibition: as a cultural object that reflects and responds to the historical conditions in which it is produced; as an institutional form that legitimizes the representations it hosts; and as an ephemeral device capable of generating interruptions and fostering moments of attention\u2026<\/p>\n\n\n\n

CONTRIBUTIONS: Carla Zaccagnini, Luca Frei, Aurora Fern\u00e1ndez Polanco, Franco \u00abBifo\u00bb Berardi, Bojana Kunst, Adrian Heathfield, Dora Garc\u00eda, Tamara D\u00edaz Bringas, Joaqu\u00edn V\u00e1zquez, Rachel Weiss, Aimar Arriola, Ines Schaber, Corinne Desirens, Catherine David, Yaiza Hern\u00e1ndez Vel\u00e1zquez, Maria Lind, Ana Devi\u0107, Ruth Noack, Azucena Vieites, Lisette Lagnado, McKenzie Wark, Azar Mahmoudian en conversaci\u00f3n con Rike Frank y Beatrice von Bismark, Arantza Santesteban, Anja Isabel Schneider, Anik Fournier, Silvia Maglioni & Graeme Thomson.<\/p>\n\n\n\n

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Design and layout: jaume marco \u2013 estudi
Language: Espa\u00f1ol
ISBN: 978-84-127001-4-5
Size: 21×14,8cm
Pages: 436
Price: 28 euros<\/p>\n\n\n\n

Curating and feminisms series<\/strong><\/p>\n\n\n\n

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\n\t\t\t\t\t28,00 €<\/span><\/bdi><\/span> IVA Incl.<\/small>\n\t\t\t\t<\/div><\/div>\n\n
\n\t\t\t\t\t\n\t\t\t\t\tRead more<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\n\t\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"An exhibition is a collection of objects brought together in a specific physical space. Visitors encounter forms and artifacts that share the same spatial and temporal framework. This allows the viewer to walk through the space and trace their own paths, engaging in a direct, though mediated, encounter between their body and the objects… \n","protected":false},"author":664,"featured_media":16498,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"csco_singular_sidebar":"","csco_page_header_type":"","csco_custom_appearance":"","csco_disable_excerpt_posts_layout":false,"csco_page_load_nextpost":"","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"footnotes":""},"categories":[146,670],"tags":[148],"ppma_author":[666],"class_list":["post-16542","post","type-post","status-publish","format-standard","has-post-thumbnail","category-concreta-texts","category-curating-and-feminisms-series","tag-nuevo-texto-en","cs-entry","cs-video-wrap"],"authors":[{"term_id":666,"user_id":664,"is_guest":0,"slug":"bulegoa","display_name":"Bulegoa","avatar_url":{"url":"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/03\/avatar-author_B.jpg","url2x":"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/03\/avatar-author_B.jpg"},"author_category":"","first_name":"Bulegoa","last_name":"","user_url":"","job_title":"","description":"Bulegoa zenbaki barik es una oficina de arte y conocimiento ubicada en el barrio\r\nbilba\u00edno de Solokoetxe. Sus integrantes son Beatriz Cavia, Miren Jaio y Leire Vergara. En 2010 fundaron la oficina junto a Isabel de Naver\u00e1n. Bulegoa z\/b es una iniciativa que surge alrededor de un inter\u00e9s compartido por cuestiones como las pedagog\u00edas cr\u00edticas, los conocimientos situados y las metodolog\u00edas colaborativas; los feminismos y la perspectiva decolonial; los procesos de historizaci\u00f3n, la traducci\u00f3n cultural y las transformaciones sociales en su relaci\u00f3n con el arte. Es un lugar de cruce entre la pr\u00e1ctica y la teor\u00eda centrado en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos."}],"_links":{"self":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/posts\/16542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/users\/664"}],"replies":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/comments?post=16542"}],"version-history":[{"count":0,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/posts\/16542\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media\/16498"}],"wp:attachment":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media?parent=16542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/categories?post=16542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/tags?post=16542"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/ppma_author?post=16542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}