{"id":6309,"date":"2017-02-08T17:10:07","date_gmt":"2017-02-08T16:10:07","guid":{"rendered":"https:\/\/editorialconcreta.org\/?p=6309"},"modified":"2024-08-28T17:23:12","modified_gmt":"2024-08-28T15:23:12","slug":"human-zoos-ethnic-freaks-and-ethnological-exhibitions","status":"publish","type":"post","link":"https:\/\/editorialconcreta.org\/en\/concreta-texts\/imagen-y-antropologia-series\/human-zoos-ethnic-freaks-and-ethnological-exhibitions\/","title":{"rendered":"Human Zoos, Ethnic Freaks<\/em> and Ethnological Exhibitions"},"content":{"rendered":"\n
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INTRO<\/h2>\n\n

“A decade ago, while I was carrying out doctoral research in Paris on the relationships between photography and anthropology, I had the opportunity to learn about a phenomenon that from the first moment caught my attention: what some specialists had called human zoos. The general formula, According to the model of the exhibitions organized by the promoter Carl Hagenbeck in the Jardin d’Acclimatation in Paris in the second half of the 19th century, it was apparently simple. If we take a human group belonging to an exotic society, we bring it to Europe\u2014voluntarily or by force. force\u2014and we place it in a fenced enclosure recreating the natural environment in which it lives as is done in wild animal zoos, we will be able to see first-hand its appearance and habits without leaving the warmth of home or endangering our lives.” .<\/p>\n\n

Hasan G. L\u00f3pez Sanz Doctor of Philosophy and Graduate in Philosophy and Social and Cultural Anthropology. Associate Professor of the Faculty of Philosophy and Educational Sciences of the University of Valencia and of the Master in Photography, Art and Technology of the Polytechnic University of Valencia. His research deals with philosophical and cultural anthropology, historical-critical analysis of empirical anthropology and museums, aesthetics and theory of the arts, showing a special interest in photography and its public uses.<\/p>\n\n

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TABLE OF CONTENTS<\/h2>\n\n\n\n

Foreword<\/p>\n\n\n\n

Primera parteLa Ilustraci\u00f3n y el descubrimiento del Otro: nativos ex\u00f3ticos en Europaz<\/strong><\/p>\n\n\n\n

Segunda parteExhibiciones humanas en el siglo xix. El Otro y la cultura de masas<\/strong><\/p>\n\n\n\n

Tercera parte1900-1945. Freak shows <\/em>y \u00e9pica colonial en poblados ind\u00edgenas y exposiciones universales y coloniales<\/strong><\/p>\n\n\n\n

Cuarta parteLas exhibiciones \u00e9tnicas y zool\u00f3gicos humanos en perspectiva. Respuestas desde el discurso poscolonial<\/strong><\/p>\n\n\n\n

Conclusi\u00f3nNuevas formas de exhibici\u00f3n en la era de la globalizaci\u00f3n<\/strong><\/p>\n<\/div>\n<\/div>\n\n

Dise\u00f1o y maquetaci\u00f3n: jaume marco \u2013 estudiIdioma: Espa\u00f1olISBN: 978-84-946891-0-9Tama\u00f1o: 21×14,8cm P\u00e1ginas: 234Precio: 18 euros<\/p>\n\n

Imagen y antropolog\u00eda series<\/strong><\/p>\n\n

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\"Zoos
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\n\t\t\t\t\t18,00 €<\/span><\/bdi><\/span> IVA Incl.<\/small>\n\t\t\t\t<\/div><\/div>\n\n
\n\t\t\t\t\t\n\t\t\t\t\tRead more<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\n\t\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"“A decade ago, while I was carrying out doctoral research in Paris on the relationships between photography and anthropology, I had the opportunity to learn about a phenomenon that from the first moment caught my attention: what some specialists had called human zoos. The general formula, According to the model of the exhibitions organized by the promoter Carl Hagenbeck in the Jardin d’Acclimatation in Paris in the second half of the 19th century, it was apparently simple. If we take a human group belonging to an exotic society, we bring it to Europe\u2014voluntarily or by force. force\u2014and we place it in a fenced enclosure recreating the natural environment in which it lives as is done in wild animal zoos, we will be able to see first-hand its appearance and habits without leaving the warmth of home or endangering our lives.” . Hasan G. L\u00f3pez Sanz\n","protected":false},"author":1,"featured_media":5928,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"csco_singular_sidebar":"","csco_page_header_type":"","csco_custom_appearance":"","csco_disable_excerpt_posts_layout":false,"csco_page_load_nextpost":"disabled","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"footnotes":""},"categories":[146,158],"tags":[149],"ppma_author":[54],"class_list":{"0":"post-6309","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-concreta-texts","8":"category-imagen-y-antropologia-series","9":"tag-texto","10":"cs-entry","11":"cs-video-wrap"},"authors":[{"term_id":54,"user_id":1,"is_guest":0,"slug":"minimizan21","display_name":"Minimiz\u00e1n","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/0504d13f59855a1d78370ac914d15d3b0fe884ceaa2639016522b1db14b43e5a?s=96&d=mm&r=g","0":null,"1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/posts\/6309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/comments?post=6309"}],"version-history":[{"count":0,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/posts\/6309\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media\/5928"}],"wp:attachment":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media?parent=6309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/categories?post=6309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/tags?post=6309"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/ppma_author?post=6309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}