{"id":6321,"date":"2023-02-27T15:08:17","date_gmt":"2023-02-27T14:08:17","guid":{"rendered":"https:\/\/editorialconcreta.org\/?p=6321"},"modified":"2024-08-23T14:08:39","modified_gmt":"2024-08-23T12:08:39","slug":"greetings-from-the-usa-saludos-desde-espana","status":"publish","type":"post","link":"https:\/\/editorialconcreta.org\/en\/artists-books\/greetings-from-the-usa-saludos-desde-espana\/","title":{"rendered":"Greetings from the USA – Saludos desde Espa\u00f1a"},"content":{"rendered":"\n
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Greetings from the USA – Saludos desde Espa\u00f1a<\/em> es una publicaci\u00f3n de Cristina Arribas que trata sobre la penetraci\u00f3n de la modernidad americana como modelo de “modernidad espa\u00f1ola”. Designed by Filiep Tacq and with an exchange of letters with Juan Jos\u00e9 Lahuerta, this visual essay presents the impudence and self-confidence with which Spain copies what is American from the prism of postcards. As its author writes:<\/p>\n\n

“La visi\u00f3n conjunta de una tarjeta postal americana del Arco Gateway de Saint Louis (Misuri) junto a una espa\u00f1ola del arco de acceso a Torreblanca del Sol, en Fuengirola, me abri\u00f3 un camino (una autopista) sin retorno, y aqu\u00ed se muestra una parte. Se evidencia c\u00f3mo con la adopci\u00f3n de la imagen americana no se suprime la propia, sino que se suma a ella en una construcci\u00f3n-pastiche que reafirma su cutrez, en una tensi\u00f3n constante entre lo cosmopolita y lo nacional. Los espa\u00f1oles \u2019cambiaron\u2019, pero tambi\u00e9n continuaron siendo los mismos. Espa\u00f1a fue moderna, pero \u2014indispensable esta conjunci\u00f3n adversativa\u2014 espa\u00f1ola.”<\/p>\n\n

Cristina Arribas (1973) is an urban planner at the Badalona City Council and an architect affiliated with the Department of Theory and History of the Escola T\u00e8cnica Superior d’Arquitectura de Barcelona.<\/p>\n\n

Esta publicaci\u00f3n es el resultado de la tesis doctoral de Cristina Arribas, dirigida por Juan Jos\u00e9 Lahuerta, dentro del marco del proyecto TURICOM<\/strong> y de nuestra serie de publicaciones Arte y Turismo<\/strong>.<\/p>\n\n

Idioma: Biling\u00fce Espa\u00f1ol e Ingl\u00e9sP\u00e1ginas: 132ISBN: 978-84-127001-3-8Tama\u00f1o: 21,9 x 14,6 cmPrimera edici\u00f3n de 300A\u00f1o: 2023Precio: 18 euros<\/p>\n\n

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\"Greetings
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\n\t\t\t\t\t18,00 €<\/span><\/bdi><\/span> IVA Incl.<\/small>\n\t\t\t\t<\/div><\/div>\n\n
\n\t\t\t\t\t\n\t\t\t\t\tAdd to cart<\/span>\n\t\t\t\t\t<\/button>\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tView cart\n\t\t\t\t<\/a>\n\t\t\t<\/span>\n\t\t\t\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"Greetings from the USA – Saludos desde Espa\u00f1a (julio 2023) es una publicaci\u00f3n de Cristina Arribas que trata sobre la penetraci\u00f3n de la modernidad americana como modelo de \u00abmodernidad espa\u00f1ola\u00bb. Designed by Filiep Tacq and with an exchange of letters with Juan Jos\u00e9 Lahuerta, this visual essay presents the impudence and self-confidence with which Spain copies what is American from the prism of postcards. La visi\u00f3n conjunta de una tarjeta postal americana del Arco Gateway de Saint Louis (Misuri) junto a una espa\u00f1ola del arco de acceso a Torreblanca del Sol, en Fuengirola, abri\u00f3 a su autora un camino (una autopista) sin retorno, y aqu\u00ed se muestra una parte.\n","protected":false},"author":59,"featured_media":5925,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"csco_singular_sidebar":"","csco_page_header_type":"","csco_custom_appearance":"","csco_disable_excerpt_posts_layout":false,"csco_page_load_nextpost":"disabled","csco_post_video_location":[],"csco_post_video_location_hash":"","csco_post_video_url":"","csco_post_video_bg_start_time":0,"csco_post_video_bg_end_time":0,"footnotes":""},"categories":[159],"tags":[161,160],"ppma_author":[115],"class_list":{"0":"post-6321","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists-books","8":"tag-english","9":"tag-spanish","10":"cs-entry","11":"cs-video-wrap"},"authors":[{"term_id":115,"user_id":59,"is_guest":0,"slug":"cristina-arribas","display_name":"Cristina Arribas & Juan Jos\u00e9 Lahuerta","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/e2e575240ce66508dca674282f8e370416a15185f15a151edd65e2fa4f266e73?s=96&d=mm&r=g","0":null,"1":"","2":"","3":"","4":"","5":"","6":"","7":"","8":""}],"_links":{"self":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/posts\/6321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/comments?post=6321"}],"version-history":[{"count":0,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/posts\/6321\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media\/5925"}],"wp:attachment":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media?parent=6321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/categories?post=6321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/tags?post=6321"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/ppma_author?post=6321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}