{"id":17889,"date":"2025-12-01T12:37:23","date_gmt":"2025-12-01T11:37:23","guid":{"rendered":"https:\/\/editorialconcreta.org\/?post_type=product&#038;p=17889"},"modified":"2025-12-02T13:22:10","modified_gmt":"2025-12-02T12:22:10","slug":"concreta-26","status":"publish","type":"product","link":"https:\/\/editorialconcreta.org\/en\/shop\/concreta-journal\/concreta-26\/","title":{"rendered":"Concreta 26"},"content":{"rendered":"<div class=\"cs-entry__header-info\">\n<div class=\"cs-entry__subtitle\">\n<p>Concreta 26 reflects on the profound influence that artificial intelligence has had on the reconfiguration of contemporary visual culture. In just a few years, AI has moved from being a specialised subfield of computer science to decisively reshaping today\u2019s visuality. This shift cannot be explained solely by computational advances, but by the turn toward models capable of <em>seeing<\/em>. The move from the symbolic paradigm \u2014which understood intelligence as the manipulation of symbols\u2014 to connectionist approaches oriented toward pattern recognition enabled the mechanisation of visual perception. Once machines cease to operate exclusively on explicit representations and begin to interpret, classify and generate images, those images become operational vectors that reconfigure the relationship between model and world. This issue examines how AI has woven itself into social infrastructure through algorithmic mediation in logistics and service platforms, policing and border\u2013control systems, and even in military contexts. Taken together, these processes reveal how algorithmic mediation permeates contemporary existence and the central role images play within it. Under this premise, <em>Concreta 26<\/em> approaches this plurality with a systematic intent.<\/p>\n<p><em>Concreta 26<\/em> is edited by Toni Navarro and features contributions from N. Katherine Hayles, Luciana Parisi, Laura Tripaldi, Anna Engelhardt, Linda Rocco, Taller Estampa, Joanna Zylinska, Paco Chanivet, Amanda Wasielewski, Felipe Rivas San Mart\u00edn, Alejandra L\u00f3pez Gabrielidis and Proyecto UNA.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"\nConcreta 26, Operational Vectors, or What Artificial Intelligence Sees (Autumn 2025).\n","protected":false},"featured_media":17894,"template":"","meta":[],"product_brand":[],"product_cat":[239],"product_tag":[241],"class_list":{"0":"post-17889","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-concreta-journal","7":"product_tag-spanish","8":"cs-entry","9":"cs-video-wrap","11":"first","12":"instock","13":"taxable","14":"shipping-taxable","15":"purchasable","16":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/product\/17889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media\/17894"}],"wp:attachment":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media?parent=17889"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/product_brand?post=17889"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/product_cat?post=17889"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/product_tag?post=17889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}