{"id":7242,"date":"2023-04-09T11:12:03","date_gmt":"2023-04-09T09:12:03","guid":{"rendered":"https:\/\/editorialconcreta.org\/?post_type=product&#038;p=7242"},"modified":"2024-09-09T19:50:16","modified_gmt":"2024-09-09T17:50:16","slug":"greetings-from-the-usa-saludos-desde-espana","status":"publish","type":"product","link":"https:\/\/editorialconcreta.org\/en\/shop\/artists-books\/greetings-from-the-usa-saludos-desde-espana-sp-en\/","title":{"rendered":"Greetings from the USA \u2013 Saludos desde Espa\u00f1a (SP \/ EN)"},"content":{"rendered":"<p><strong>You can pre-order the second edition of <\/strong><em><strong>Greetings from the USA &#8211; Saludos desde Espa\u00f1a <\/strong><\/em><strong>now .<\/strong> <strong>Shipments will start on 15 November.<\/strong><\/p>\n<p>As its author writes:<\/p>\n<p>\u201cThe joint vision of an American postcard of the Gateway Arch of Saint Louis (Missouri) together with a Spanish one of the access arch to Torreblanca del Sol, in Fuengirola, opened a path (a highway) for me with no return, and here is shown a part. It is evident how with the adoption of the American image one does not suppress one&#8217;s own image, but adds to it in a pastiche-construction that reaffirms its shabbyness, in a constant tension between the cosmopolitan and the national. The Spanish &#8216;changed&#8217;, but they also remained the same. \u201cSpain was modern, but\u2014this adversative conjunction is indispensable\u2014Spanish.\u201d<\/p>\n<p>Cristina Arribas (1973) is an urban planner at the Badalona City Council and an architect affiliated with the Department of Theory and History of the Escola T\u00e8cnica Superior d&#8217;Arquitectura de Barcelona.<\/p>\n<p>This publication is the result of the doctoral thesis of Cristina Arribas, directed by Juan Jos\u00e9 Lahuerta, within the framework of the <strong>TURICOM<\/strong> project and our series of publications <strong>Art and Tourism.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"\nIt is a publication by Cristina Arribas that deals with the penetration of American modernity as a model of \u201cSpanish modernity.\u201d Designed by Filiep Tacq and with an exchange of letters with Juan Jos\u00e9 Lahuerta, this visual essay presents the impudence and self-confidence with which Spain copies what is American from the prism of postcards.\n","protected":false},"featured_media":5925,"template":"","meta":[],"product_brand":[],"product_cat":[238],"product_tag":[242,241],"class_list":{"0":"post-7242","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-artists-books","7":"product_tag-english","8":"product_tag-spanish","9":"cs-entry","10":"cs-video-wrap","12":"first","13":"instock","14":"taxable","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/product\/7242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media\/5925"}],"wp:attachment":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media?parent=7242"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/product_brand?post=7242"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/product_cat?post=7242"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/product_tag?post=7242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}