{"id":19522,"date":"2026-06-17T10:44:01","date_gmt":"2026-06-17T08:44:01","guid":{"rendered":"https:\/\/editorialconcreta.org\/?post_type=sight-projects&#038;p=19522"},"modified":"2026-06-22T15:33:00","modified_gmt":"2026-06-22T13:33:00","slug":"lilot-tizian-buchi-lausanne-2022","status":"publish","type":"sight-projects","link":"https:\/\/editorialconcreta.org\/en\/projects\/lilot-tizian-buchi-lausanne-2022\/","title":{"rendered":"L&#8217;\u00eelot, Tizian B\u00fcchi (Lausanne, 2022)"},"content":{"rendered":"\n<div class=\"wp-block-columns are-vertically-aligned-top cnvs-block-core-columns-1710496536925 is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:70%\">\n<div class=\"cs-entry__post-meta \">\n<div class=\"cs-meta-category\">\n<ul class=\"post-categories\">\n\t<li><a href=\"https:\/\/editorialconcreta.org\/en\/online\/\" rel=\"category tag\">ONLINE<\/a><\/li>\n\t<li>SCREENS<\/li><\/ul><\/div><\/div>\n\n\n\n<h1 class=\"wp-block-heading\" style=\"font-size:2.4rem;line-height:1.2\"><span>Tizian B\u00fcchi, L&#8217;\u00eelot, 2022<\/span><\/h1>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top share-linea cnvs-block-core-column-1710496536916 is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\"><div class=\"cnvs-block-share-buttons cnvs-block-share-buttons-1710420992173 cnvs-block-share-buttons-layout-simple is-style-pk-share-buttons-simple-light\" >\t\t<div class=\"pk-share-buttons-wrap pk-share-buttons-layout-simple pk-share-buttons-scheme-gutenberg-block pk-share-buttons-mode-php pk-share-buttons-mode-rest\" data-post-id=\"19522\" data-share-url=\"https:\/\/editorialconcreta.org\/en\/projects\/lilot-tizian-buchi-lausanne-2022\/\" >\n\n\t\t\t\n\t\t\t<div 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href=\"https:\/\/www.facebook.com\/sharer.php?u=https:\/\/editorialconcreta.org\/en\/projects\/lilot-tizian-buchi-lausanne-2022\/\" class=\"pk-share-buttons-link\" target=\"_blank\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"pk-share-buttons-icon pk-icon pk-icon-facebook\"><\/i>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"pk-share-buttons-item pk-share-buttons-linkedin pk-share-buttons-no-count\" data-id=\"linkedin\">\n\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&#038;url=https:\/\/editorialconcreta.org\/en\/projects\/lilot-tizian-buchi-lausanne-2022\/\" class=\"pk-share-buttons-link\" target=\"_blank\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"pk-share-buttons-icon pk-icon pk-icon-linkedin\"><\/i>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div><\/div>\n<\/div>\n\n\n<div class=\"cnvs-block-contributors cnvs-block-contributors-1782122766468\" >\t\t<div class=\"widget-body\">\n\t\t\t\t\t\t\t<div class=\"pk-widget-contributors\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"pk-author-item\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"pk-author-avatar\">\n\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/editorialconcreta.org\/en\/author\/tizian-buchi\/\" rel=\"author\">\n\t\t\t\t\t\t\t\t\t\t\t<img alt='' src='https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/03\/avatar-author_T.jpg' srcset='https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/03\/avatar-author_T.jpg 2x' class='avatar avatar-80 photo avatar-default' height='80' width='80' \/>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"pk-author-data\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<h6 class=\"author-name\">\n\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/editorialconcreta.org\/en\/author\/tizian-buchi\/\" rel=\"author\">\n\t\t\t\t\t\t\t\t\t\t\tTizian B\u00fcchi\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/h6>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"author-description pk-color-secondary\">\n\t\t\t\t\t\t\t\t\t\t\tTizian B\u00fcchi es licenciado en Historia del Cine y Est\u00e9tica por la&hellip;\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t<\/div>\n\n<div class=\"cnvs-block-contributors cnvs-block-contributors-1773766925359\" >\t\t<div class=\"widget-body\">\n\t\t\t\t\t\t\t<div class=\"pk-widget-contributors\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"pk-author-item\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"pk-author-avatar\">\n\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/editorialconcreta.org\/en\/author\/andrea-franco\/\" rel=\"author\">\n\t\t\t\t\t\t\t\t\t\t\t<img alt='' src='https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/03\/avatar-author_A.jpg' srcset='https:\/\/editorialconcreta.org\/wp-content\/uploads\/2024\/03\/avatar-author_A.jpg 2x' class='avatar avatar-80 photo avatar-default' height='80' width='80' \/>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"pk-author-data\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<h6 class=\"author-name\">\n\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/editorialconcreta.org\/en\/author\/andrea-franco\/\" rel=\"author\">\n\t\t\t\t\t\t\t\t\t\t\tAndrea Franco\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/h6>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"author-description pk-color-secondary\">\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementToProof\">Comisaria de cine y artes visuales. Colabora&hellip;\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t<\/div>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column intro_column_enlinea is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:1300px\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"844\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Lilot_1.jpg\" alt=\"\" class=\"wp-image-19508\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Lilot_1.jpg 1500w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Lilot_1-1248x702.jpg 1248w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Lilot_1-768x432.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Lilot_1-380x214.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Lilot_1-800x450.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Lilot_1-1160x653.jpg 1160w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Lilot_1-1200x675.jpg 1200w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The En L\u00ednea section of <em>Concreta<\/em>\u2019s website is structured around three spaces: Relator\u00edas, Conservatorios, and Pantallas, the latter dedicated to the presentation of audiovisual works accompanied by critical essays.<br>In 2026, curator Andrea Franco has conceived for Pantallas a programme of four films that will unfold throughout the year.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The selection of these films was guided very intuitively by the premise that each one would be released with the arrival of a new season. Some are steeped in luminosity, others in a crepuscular atmosphere. In each narrative, something belongs more properly to spring (such as gathering flowering plants), to summer (a time of year conducive to periods of idleness), to autumn (through the idea of a change of cycle, of transformation), and to winter (a time of retreat, deep reflection, and solitude).   <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>At the same time, and in keeping with Concreta\u2019s project, these titles engage with some of the social, political, and cultural questions that have appeared in the journal in recent years: reflections on identity and belonging to a place; exile and migration; the problems of communication through language; tensions between groups of different backgrounds; and the spaces of respite that are created when a community takes shape. Always poised between fiction and documentary, they inhabit the natural hybridity that defines much of contemporary cinema, where the image stands as a faithful reflection of an uncertain and changing time.  <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The film chosen to be presented in the first weeks of summer is <em>L\u2019\u00eelot<\/em> (2022), by Swiss filmmaker Tizian B\u00fcchi. Between documentary and fiction, the <em>film<\/em> unfolds as a contemporary fable that addresses the surveillance society through mystery, nostalgia and humour. The following text, written by Andrea Franco, accompanies the second instalment of the programme.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Title:<\/strong> L&#8217;\u00eelot<br><strong>Author:<\/strong> Tizian B\u00fcchi<br><strong>Year:<\/strong> 2022<br><strong>Lenght:<\/strong> 1:44:46<br><strong>Credits: <\/strong><em>Film<\/em> and stills courtesy of the artist<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>*The video will be available to watch in Spain only, from 22 June to 23 July.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tizian B\u00fcchi, L&amp;apos;\u00eelot, 2022\" src=\"https:\/\/player.vimeo.com\/video\/1203383208?dnt=1&amp;app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The mirror<br><\/em>Por Andrea Franco<\/strong><\/p>\n\n\n\n<p class=\"test wp-block-paragraph\">To the east of Lausanne lies a neighbourhood that has remained virtually unchanged since it was built in the 1950s. Faverges emerged between two railway lines to house railway workers and their families. Surrounded by valleys and ravines, tucked into a hollow shaped like a cross, neither the Alps nor nearby Lake Geneva can be seen from humble Faverges, known among locals simply as \u2018the hole.\u2019  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">True to its working\u2011class origins and its simple, functional architecture, Faverges is now a multicultural enclave where Swiss retirees live alongside immigrant families.<\/p>\n\n\n\n<p class=\"test wp-block-paragraph\">Cutting across it from one end to the other runs a river steeped in legends and dangers, awakening in those who can sense it a powerful energetic vibration stirring from the bowels of the earth.<br>With these elements, Tizian B\u00fcchi\u2019s first feature film imagines how the shape and location of the neighborhood influence the social imagination of its inhabitants, composing a documentary fable in which the real edges toward the fantastic. The film explores the drift of a society increasingly preoccupied with borders and surveillance, where the line separating security from privacy grows ever thinner. <\/p>\n\n\n\n<p class=\"test wp-block-paragraph\">Two guards \u2014one Angolan, a talkative gentle giant; the other Iraqi, younger and more of a dreamer\u2014 patrol the neighborhood to keep people away from the river. No one understands what they are doing, not even they themselves, yet day and night they strive to protect the area from a danger they cannot quite define, sealing off the riverbanks and turning away anyone who strolls or rests nearby. <\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-15 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1248\" height=\"659\" data-id=\"19510\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174424-1-1248x659.png\" alt=\"\" class=\"wp-image-19510\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174424-1-1248x659.png 1248w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174424-1-768x406.png 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174424-1-380x201.png 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174424-1-800x422.png 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174424-1-1160x612.png 1160w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174424-1-1200x634.png 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174424-1.png 1500w\" sizes=\"auto, (max-width: 1248px) 100vw, 1248px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1248\" height=\"662\" data-id=\"19512\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174745-1248x662.png\" alt=\"\" class=\"wp-image-19512\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174745-1248x662.png 1248w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174745-768x408.png 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174745-380x202.png 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174745-800x425.png 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174745-1160x616.png 1160w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174745-1200x637.png 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-07-174745.png 1500w\" sizes=\"auto, (max-width: 1248px) 100vw, 1248px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a><\/a>Parallel to the rounds of this odd couple, so different both personally and culturally, the <em>film<\/em> introduces a community whose origins are as varied as the reasons that brought them there.<\/p>\n\n\n\n<p class=\"test wp-block-paragraph\">Faverges and nearby (and rival) Chandieu form a puzzle full of gaps and escape routes, where the film\u2019s different stories flow like meanders between the buildings, moving from reality to fiction and back again. Stories of migration and exile, of family tensions, of hopes and heartbreaks. <\/p>\n\n\n\n<p class=\"test wp-block-paragraph\">And meanwhile, what about the river?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a><\/a>Like Daniel and Ammar, who comb the terrain in search of clues, the viewer also waits for something to happen in a <em>film<\/em> built on searches and suspensions during a sweltering summer. Emptiness invites drifting thoughts. The heat dulls the senses. Imagination takes over.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a><\/a>Shouts, strange noises, someone disappearing into the bushes, characters vanishing without warning. The concrete, tangible reality of the neighbourhood and its architecture collides with the magical, supernatural aura of the river, from which each night emanates a mysterious life invisible to ordinary mortals. <\/p>\n\n\n\n<p class=\"test wp-block-paragraph\"><a><\/a>What threat does the river represent? The <em>Other<\/em>, perhaps? The unknown? What are we afraid of? Does its reflection not return our own image?    <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"791\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/LILOT_Still_03.jpg\" alt=\"\" class=\"wp-image-19514\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/LILOT_Still_03.jpg 1500w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/LILOT_Still_03-1248x658.jpg 1248w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/LILOT_Still_03-768x405.jpg 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/LILOT_Still_03-380x200.jpg 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/LILOT_Still_03-800x422.jpg 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/LILOT_Still_03-1160x612.jpg 1160w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/LILOT_Still_03-1200x633.jpg 1200w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In this small island that is Faverges \u2014a fragment of contemporary Europe\u2014 there is a hidden tunnel in the forest undergrowth; crossing it leads to a space far from all gazes, where the dream of a safe, unwatched place comes true.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>L\u2019\u00eelot <\/em>invites us to enter the tunnel, <em>to glide into the folds of the ground<\/em> \u2014as suggested by the quote that opens the film\u2014 <em>and conduct our research from there<\/em>. In other words, to widen the narrow margins through which we look at the world and approach the diversity of our cities with a renewed perception. <\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-16 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1179\" height=\"732\" data-id=\"19516\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-04-135019-1-1179x732.png\" alt=\"\" class=\"wp-image-19516\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-04-135019-1-1179x732.png 1179w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-04-135019-1-768x477.png 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-04-135019-1-380x236.png 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-04-135019-1-800x497.png 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-04-135019-1-1160x720.png 1160w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-04-135019-1-1200x745.png 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-04-135019-1.png 1500w\" sizes=\"auto, (max-width: 1179px) 100vw, 1179px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1131\" height=\"732\" data-id=\"19518\" src=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-05-142830-1131x732.png\" alt=\"\" class=\"wp-image-19518\" srcset=\"https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-05-142830-1131x732.png 1131w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-05-142830-768x497.png 768w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-05-142830-380x246.png 380w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-05-142830-800x518.png 800w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-05-142830-1160x751.png 1160w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-05-142830-1200x777.png 1200w, https:\/\/editorialconcreta.org\/wp-content\/uploads\/2026\/06\/Captura-de-pantalla-2026-06-05-142830.png 1500w\" sizes=\"auto, (max-width: 1131px) 100vw, 1131px\" \/><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer esp_enlinea_inn\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer esp_bottom_enlinea\"><\/div>\n","protected":false},"excerpt":{"rendered":"To the east of Lausanne lies a neighbourhood that has remained virtually unchanged since it was built in the 1950s. Faverges emerged between two railway lines to house railway workers and their families. Surrounded by valleys and ravines, tucked into a hollow shaped like a cross, neither the Alps nor nearby&#8230;  \n","protected":false},"author":862,"featured_media":19504,"menu_order":0,"template":"","meta":{"sight_post_video_url":"","sight_post_video_bg_start_time":0,"sight_post_video_bg_end_time":0},"sight-categories":[128,31],"ppma_author":[728,711],"class_list":["post-19522","sight-projects","type-sight-projects","status-publish","has-post-thumbnail","cs-entry","cs-video-wrap"],"_links":{"self":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/sight-projects\/19522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/sight-projects"}],"about":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/types\/sight-projects"}],"author":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/users\/862"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media\/19504"}],"wp:attachment":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/media?parent=19522"}],"wp:term":[{"taxonomy":"sight-categories","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/sight-categories?post=19522"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/ppma_author?post=19522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}