{"id":70,"name":"Pedro G. Romero","url":"","description":"(Aracena, 1964). Artista. Con el Archivo F.X. ha presentado, entre otros, el proyecto La Comunidad vac\u00eda. Pol\u00edtica, en la Fundaci\u00f3 Antoni T\u00e0pies, Barcelona; Econom\u00eda Picasso\/Econom\u00eda para el Museo Picasso, Barcelona; La Escuela Moderna para la 31\u00aa Bienal de S\u00e3o Paulo (2014), la publicaci\u00f3n Wirtschaft, \u00d6konomie, Komjunktur, (Spector Books, 2015), entre otros. En M\u00e1quina P.H. promueve la Plataforma Independiente de Estudios Flamencos Modernos y Contempor\u00e1neos www. pieflamenco. com y es director art\u00edstico del bailaor Israel Galv\u00e1n. Acabados estos proyectos, ha presentado Sacco\/Cuadras\/Gallinero (Bergen Assembly, 2019) con Teresa Lanceta, y terminado el filme Nueve Sevillas dirigido junto a Gonzalo Garc\u00eda Pelayo.","link":"https:\/\/editorialconcreta.org\/en\/author\/pedro-g-romero\/","slug":"pedro-g-romero","avatar_urls":{"24":"https:\/\/secure.gravatar.com\/avatar\/92c99a3dc6a4dee9b9ae805f97c7867b9494d1e6789e9baffb824eda86c15b38?s=24&d=mm&r=g","48":"https:\/\/secure.gravatar.com\/avatar\/92c99a3dc6a4dee9b9ae805f97c7867b9494d1e6789e9baffb824eda86c15b38?s=48&d=mm&r=g","96":"https:\/\/secure.gravatar.com\/avatar\/92c99a3dc6a4dee9b9ae805f97c7867b9494d1e6789e9baffb824eda86c15b38?s=96&d=mm&r=g"},"meta":[],"is_super_admin":false,"woocommerce_meta":{"variable_product_tour_shown":"","wc_payments_overview_inbox_last_read":"","wc_payments_transactions_hidden_columns":"","wc_payments_transactions_blocked_hidden_columns":"","wc_payments_transactions_risk_review_hidden_columns":"","wc_payments_transactions_uncaptured_hidden_columns":"","wc_payments_payouts_hidden_columns":"","wc_payments_disputes_hidden_columns":"","wc_payments_documents_hidden_columns":"","wc_payments_review_prompt_dismissed":"","wc_payments_review_prompt_maybe_later":""},"_links":{"self":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/users\/70","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/editorialconcreta.org\/en\/wp-json\/wp\/v2\/users"}]}}