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Bárbara Rodríguez Muñoz

2 posts
Comisaria e investigadora. Desde 2021 es directora de exposiciones y de la colección en el Centro Botín, Santander, donde ha comisariado Ellen Gallagher y Edgar Cleijne: a law … a blueprint … a scale. De 2014 a 2022 fue comisaria en Wellcome Collection en Londres, donde desarrolló un programa de exposiciones en torno a las políticas de la salud y la ecología entre las que destacan Ayurvedic Man (2018), Jo Spence and Oreet Ashery: Misbehaving Bodies (2019-2020) y Un encuentro vegetal / Rooted Beings (en colaboración con La Casa Encendida, Madrid). Ha editado la antología HEALTH: Documents of Contemporary Art publicada con MIT Press y Whitechapel Gallery, y ha publicado en Art Agenda, Afterall, Gwangju Biennale, Les Laboratoires d’Aubervilliers y Editorial Mousse.

FOREWORD
Concreta 19, Deep time, Bárbara Rodríguez Muñoz

Concreta 19 (Spring 2022) unfolds a renewed literacy of time and conjures up subsequent epistemic shifts by resituating us in the chain to which we have always belonged: deep time, dark time, crip time, vegetable time, cyclical time. How this deep time is articulated in contemporary artistic, curatorial and philosophical practices is the subject of this issue. It is edited by Bárbara Rodríguez Muñoz, with contributions by Catherine Malabou, Petra Feriancová, Grace L. Dillon, Laura Vallés Vílchez, Maria Ptqk, Irene Kopelman, Sop, Miguel Ángel Martínez, Tavia Nyong’o, Institute for Postnatural Studies, Jorge Van den Eynde, Kim Hyesoon, Rachel Pimm and Graham Cunnington.
04/02/2022

Bonnie Camplin: Bricolage

Bárbara Rodríguez Muñoz analyses Bonnie Camplin’s work in which her invented life engages with a way of life and of DIY art production through an interdisciplinary practice and a systematically precarious and hostile environment. "The only hero able to cut off Medusa’s head is Perseus, who flies with winged sandals; Perseus, who does not turn his gaze upon the face of the Gorgon, but only upon her image reflected in his bronze shield." Following several aborted attempts to commence this text (...)
24/04/2014