María García Ruiz. ¿Cómo se mueve la arquitectura? En esta conferencia performativa, se propone pensar la arquitectura bajo el prisma de una tensión: la que existe entre la “Supersurface” de…
Souvenir, Souvenir. An Anthropologist Before Tourism
Fernando Estévez González (La Orotava, 1953- 2016) was always an atypical anthropologist. His research focused mainly on debunking colonial and ideological prejudices of his own discipline, or…
Muros de viento. Sarcófagos cristalinos
In Muros de viento. Sarcófagos cristalinos, the author proposes to review these two phenomena as opposite symptoms of a new conception of space that was implemented at that time and that…
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Concreta 23, The active composition of presence, Jara Rocha, Nicolas Malevé
Concreta 23 (spring 2024) A rider has gotten off his bike to join a picket, a scientist has abandoned the electrodes to talk to her study subjects, a bird has relearned to fly with a drone, a curatorial team has been perplexed Due to the inherited audience categories, a group of environmentalists has reconsidered the debts of the territory they defend, a hedgehog has shared its transspecies grief: all going through in one way or another a simultaneous but differentiated process of rejection and affirmation in the middle of an infrastructural framework. enormous data capture. Icono de Validado por la comunidad Sugerencias
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FOREWORD
Concreta 22, Motherhood: «An exquisite suffering», Maite Muñoz Iglesias
Concreta 22 (autumn 2023) seeks to warn of the divergence between the cultural figure of the mother and the biographical fact, between the institution and the experience; express non-conformity in the face of the oppressive expectations placed on…
FOREWORD
Concreta 21, Let’s venture. A genealogy of fantasy media, Jorge Van den Eynde
Concreta 21 (spring 2023) proposes a genealogy of the media, channels and portals that we have used in fiction from the immaterial, mysterious and malleable prism of fantasy. It features the participation of Federico Campagna, Claudia Rodríguez Ponga,…
FOREWORD
Concreta 20, Pressing issues on art and education, Alba Colomo
Concreta 20 (Autumn 2022) addresses arts education from precarization, privatization, homogenization and depoliticization, but also from opening processes and collective situated practices that exert influences and generate disruptions, impulses and…
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CONCRETA TEXTS
The Virtual Tourist. Image as Destination
The desire to travel and to see other places, inherent to human beings, has always meant more than a matter of mere survival. Our ability to venture ourselves, varying our position in the…
Wild Encounters: Art, Consumption and Cannibal Tourism
"Cannibals have always been others. This is a common and widespread prejudice throughout the world. It is a way of attributing to the stranger the negative mark of an extreme otherness that…
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María García Ruiz. ¿Cómo se mueve la arquitectura? En esta conferencia performativa, se propone pensar la arquitectura bajo el prisma de una tensión: la que existe entre la “Supersurface” de Superstudio y el “campo…
Álvaro Romero. ’Mamá, no soy aquello que ves en las noticias’ es un ensayo visual en el que se reflexiona sobre la representación en imágenes del cuerpo queer. A partir de la narración de diferentes anécdotas de la vida…
Trata sobre una publicación que Salomé Moltó y Floreal Rodríguez de la Paz realizaron junto a otros compañeros de la CNT. El libro recoge el proceso de construcción del monumento en las cercanias del campo de concentración…
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