Over the past few years, Wu Tsang and Enrique Fuenteblanca have collaborated on projects that explore the figures of Bizet’s Carmen, Picasso, bullfighting, and flamenco—and the institutional…
The Papers of the Exhibition (1977-2017)
An exhibition is a collection of objects brought together in a specific physical space. Visitors encounter forms and artifacts that share the same spatial and temporal framework. This allows…
HÁ GENTE NA VIA Volume 2 – Arquitetura, Jardins e Hortas
This publication is the second volume of Há Gente Na Via, by the artist Carla Filipe. It is dedicated to architecture, gardens, and orchards, and is composed of photography and text. Its main…
NEW
FOREWORD
Disturbing the Institution, Between Hydras and Brambles
Concreta 27 addresses other ways of instituting, inhabiting the cracks in the system, and disturbing the habits of the institution. The issue is edited by Nuria Enguita and Laura Vallés Vílchez and features contributions by Paul Gilroy, Laurence Rassel, Peggy Pierrot, Max Jorge Hinderer Cruz, BNV Producciones, Durante Blais-Billie, Zoe Butt, Tania Safura Adam Mogne, Mónica de Miranda, Alba Colomo, Vida Rucli, Guy Woueté, Zineb Achoubie, Lorenzo Sandoval, Pedro G. Romero and Lia Perjovschi.
CONCRETA JOURNAL
EDITORIAL
Concreta 26, Operational Vectors, or What Artificial Intelligence Sees
Concreta 26 reflects on the profound influence that artificial intelligence has had on the reconfiguration of contemporary visual culture. Concreta 26 is edited by Toni Navarro and features contributions from N. Katherine Hayles, Luciana Parisi, Laura…
FOREWORD
Concreta 25, The Force of Images
Concreta 25 proposes itself as a space for reflection on images in their capacity to form relationships that can alter our regimes of visibility. We are interested in exploring our imaginative forces, our poetic and political potential for resistance…
EDITORIAL
Concreta 24, Hosting the ‘mediodía’
From Arab hospitality as a practice of resistance to the images created by Palestinian peoples as acts of radical generosity, the contributions in Concreta 24 (Fall 2024) span themes such as memory, diaspora, fluid feminisms, and alternative…
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CONCRETA TEXTS
A history of African Photography South of the Sahara: Dynamics, Trends, Aesthetics.
Photography produced by photographers from and residing in sub-Saharan Africa has been poorly represented in general histories of photography…
Souvenir, Souvenir. An Anthropologist Before Tourism
Fernando Estévez González (La Orotava, 1953- 2016) was always an atypical anthropologist. His research focused mainly on debunking colonial and ideological prejudices of his own discipline, or…
ONLINE
Over the past few years, Wu Tsang and Enrique Fuenteblanca have collaborated on projects that explore the figures of Bizet’s Carmen, Picasso, bullfighting, and flamenco—and the institutional dispositifs that reinscribe…
The Online section of Concreta’s website is structured around three spaces: Relatorías, Conservatorios, and Pantallas, the latter dedicated to the presentation of audiovisual works accompanied by critical essays. In 2026,…
Linda Rocco advocates for an education that transforms artificial intelligence into an ally of critical thinking and intellectual autonomy.
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