Frieze Art Fair: fascination, opposition and the spectre of institutional critique.
Like every year in London around mid October, Frieze Art Fair kicks in and all hell breaks loose. The number of reviews and commentaries across the international art press keeps growing with every edition, along with the urgency to cover not just the fair (two fairs now, in fact, with the recent addition of Frieze Masters) but also the parties and off-programme events that the local institutions and galleries host during the week. But, what exactly are we judging when we consider Frieze (...)
