On performativity, capture, and resistance. Wu Tsang in conversation with Enrique Fuenteblanca
Over the past few years, Wu Tsang and Enrique Fuenteblanca have collaborated on projects that explore the figures of Bizet’s Carmen, Picasso, bullfighting, and flamenco—and the institutional dispositifs that reinscribe them. Their interest in these figures is shaped by an idea of performativity that participates in the construction of a certain imagination of the European “South,” in...