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Pedro G. Romero

2 posts
(Aracena, 1964). Artista. Con el Archivo F.X. ha presentado, entre otros, el proyecto La Comunidad vacía. Política, en la Fundació Antoni Tàpies, Barcelona; Economía Picasso/Economía para el Museo Picasso, Barcelona; La Escuela Moderna para la 31ª Bienal de São Paulo (2014), la publicación Wirtschaft, Ökonomie, Komjunktur, (Spector Books, 2015), entre otros. En Máquina P.H. promueve la Plataforma Independiente de Estudios Flamencos Modernos y Contemporáneos www. pieflamenco. com y es director artístico del bailaor Israel Galván. Acabados estos proyectos, ha presentado Sacco/Cuadras/Gallinero (Bergen Assembly, 2019) con Teresa Lanceta, y terminado el filme Nueve Sevillas dirigido junto a Gonzalo García Pelayo.

FOREWORD
Concreta 14, What is camp?, Pedro G. Romero

Concreta 14 (Autumn 2019) proposes an entanglement between rrom, gypsies and flamencos to define camp as a real and sensitive construction, full of trompe l’oeil, tricks and traps. A nomadic cultural field that operates as an interference, beyond music and dance. Camp, in short, as a space traversed by movements of the bodies and objects that remained on the margins of history. It counts with the collaboration of Pedro G. Romero, Ethel Brooks, María García Ruiz, Teresa San Román, Pastori Filigrana, Joy Charpentier, Delaline Le Bas, Gerhard Steingress, Isaki Lacuesta, Alice Becker Ho, George Didi-Huberman, Leonardo Piasere and Alejandra Riera.
05/11/2019

FOREWORD
Concreta 05, Iconoclasm, profanation, vandalism, Pedro G. Romero

Concreta 05 (Spring 2015) gathers a constellation of essays, conversations and projects reflecting on the idea of the appearance and the disappearance of the image. That is to say, questions related to the notions of iconoclasm, profanation and vandalism. This issue features essays and articles by Pedro G. Romero, Pablo Lafuente, Jacques Rancière, Geoff Cox, Harold Berg, Ellef Prestsæter, Michael Murtaugh, Nicolas Malevé, Matthew Fuller, Dario Gamboni, José Díaz Cuyás, George Didi-Huberman, Andrea Canepa, Lourdes Castro, Alexander García Düttmann, Asier Mendizabal, Alberto López Cuenca, María Torres Martínez and Xavier Arenós.
05/04/2015