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CONCRETA JOURNAL

FOREWORD
Concreta 25, The Force of Images

Concreta 25 proposes itself as a space for reflection on images in their capacity to form relationships that can alter our regimes of visibility. We are interested in exploring our imaginative forces, our poetic and political potential for resistance…

EDITORIAL
Concreta 24, Hosting the ‘mediodía’

From Arab hospitality as a practice of resistance to the images created by Palestinian peoples as acts of radical generosity, the contributions in Concreta 24 (Fall 2024) span themes such as memory, diaspora, fluid feminisms, and alternative…

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CONCRETA TEXTS

Souvenir, Souvenir. An Anthropologist Before Tourism

Fernando Estévez González (La Orotava, 1953- 2016) was always an atypical anthropologist. His research focused mainly on debunking colonial and ideological prejudices of his own discipline, or…

ONLINE

OVATION: Conversation with Akira Yamaoka

In 1945, during the Cold War, Dynamo Moscow’s tour of Great Britain triggered violent clashes in stadiums. As a result of these incidents, Orwell wrote an ironically titled article, The Sporting Spirit, in which he…

METAL

In A Thousand Plateaus, Gilles Deleuze and Felix Guattari distinguish tools from weapons extrinsically. Based on their projection, the same object could be one or the other. Tools…

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