Over the past few years, Wu Tsang and Enrique Fuenteblanca have collaborated on projects that explore the figures of Bizet’s Carmen, Picasso, bullfighting, and flamenco—and the institutional…
The Papers of the Exhibition (1977-2017)
An exhibition is a collection of objects brought together in a specific physical space. Visitors encounter forms and artifacts that share the same spatial and temporal framework. This allows…
HÁ GENTE NA VIA Volume 2 – Arquitetura, Jardins e Hortas
This publication is the second volume of Há Gente Na Via, by the artist Carla Filipe. It is dedicated to architecture, gardens, and orchards, and is composed of photography and text. Its main…
NEW
EDITORIAL
Concreta 26, Operational Vectors, or What Artificial Intelligence Sees
Concreta 26 reflects on the profound influence that artificial intelligence has had on the reconfiguration of contemporary visual culture. Concreta 26 is edited by Toni Navarro and features contributions from N. Katherine Hayles, Luciana Parisi, Laura Tripaldi, Anna Engelhardt, Linda Rocco, Taller Estampa, Joanna Zylinska, Paco Chanivet, Amanda Wasielewski, Felipe Rivas San Martín, Alejandra López Gabrielidis and Proyecto UNA.
CONCRETA JOURNAL
FOREWORD
Concreta 25, The Force of Images
Concreta 25 proposes itself as a space for reflection on images in their capacity to form relationships that can alter our regimes of visibility. We are interested in exploring our imaginative forces, our poetic and political potential for resistance…
EDITORIAL
Concreta 24, Hosting the ‘mediodía’
From Arab hospitality as a practice of resistance to the images created by Palestinian peoples as acts of radical generosity, the contributions in Concreta 24 (Fall 2024) span themes such as memory, diaspora, fluid feminisms, and alternative…
FOREWORD
Concreta 23, The active composition of presence, Jara Rocha, Nicolas Malevé
Concreta 23 (spring 2024) A rider has gotten off his bike to join a picket, a scientist has abandoned the electrodes to talk to her study subjects, a bird has relearned to fly with a drone, a curatorial team has been perplexed Due to the inherited…
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CONCRETA TEXTS
A history of African Photography South of the Sahara: Dynamics, Trends, Aesthetics.
Photography produced by photographers from and residing in sub-Saharan Africa has been poorly represented in general histories of photography…
Souvenir, Souvenir. An Anthropologist Before Tourism
Fernando Estévez González (La Orotava, 1953- 2016) was always an atypical anthropologist. His research focused mainly on debunking colonial and ideological prejudices of his own discipline, or…
ONLINE
Over the past few years, Wu Tsang and Enrique Fuenteblanca have collaborated on projects that explore the figures of Bizet’s Carmen, Picasso, bullfighting, and flamenco—and the institutional dispositifs that reinscribe…
The Online section of Concreta’s website is structured around three spaces: Relatorías, Conservatorios, and Pantallas, the latter dedicated to the presentation of audiovisual works accompanied by critical essays. In 2026,…
Linda Rocco advocates for an education that transforms artificial intelligence into an ally of critical thinking and intellectual autonomy.
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