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Nuria Enguita Mayo

4 posts
Nuria Enguita es Directora de Bombas Gens Centre d’Art de Valencia, comisaria de exposiciones y editora de la revista Concreta. Entre 1991 y 1998 fue conservadora del Instituto Valenciano de Arte Moderno, y entre 1998 y 2008 fue directora artística de la Fundació Antoni Tàpies de Barcelona. Ha sido comisaria en Manifesta 4 (Fráncfort, 2002), en el Encuentro Internacional de Medellín (2011) y en la 31ª Bienal de São Paulo (2014). Del 2000 al 2014 formó parte del equipo de dirección del programa Arte y Pensamiento de la Universidad Internacional de Andalucía, y del 2007 al 2014 fue coeditora de la revista Afterall. Es licenciada en Historia y Teoría del Arte por la Universidad Autónoma de Madrid, y ha impartido conferencias sobre teoría del arte y gestión artística en diferentes centros y universidades. Ha publicado numerosos textos en libros, catálogos y en revistas de arte contemporáneo como Parkett, Afterall y Concreta.

FOREWORD
Concreta 11, Time of work, Nuria Enguita Mayo

Concreta 11 (Spring 2018) is dedicated to the question of labour in art and the financialisation of life: economy, housing, vacation, leisure time, and even thought, expression and desire get financialised. On the other hand, it looks at the disappearance of the traditional notion of labour, that is to say, as epicentre of social relations and reciprocal recognition. It counts with contributions by Silvia Federici, Max Jorge Hinderer, Alice Creischer, Jonathan Beller, Isidoro Valcárcel Medina, Theaster Gates, Elvira Dyangani Ose, Julia Bryan-Wilson, Ahlam Shibli, Mladen Stilinović, Anna Manubens, Mercedes Vicente and Ester Pegueroles.
05/04/2018

FOREWORD
Concreta 04, Deviation in political space, Nuria Enguita Mayo

Concreta 04 (Fall 2014) arises from a series of issues that have to do with the opening of places for the possibility and detours in the political space: unique actions and proposals for common actuation against the reactionary forces, those which are trying to impose values, create senses and impose directions. This issue features essays and articles by Marina Garcés, Miren Jaio, Clémentine Deliss, Niño de Elche, Jeff Wall, David Campany, Cabello/Carceller, María Virginia Jaua, Peter Pál Pelbart, Mauro Restiffe, Bleda y Rosa, Carles Guerra, Pascale Féghali, Sonia Fernández Pan and the collective Mujeres Creando.
05/11/2014

Concrete Allegories. On Yto Barrada’s work

In the work Yto Barrada has made in the last decade in Tangier—the city that, along with Paris, witnessed her growth and training as an artist—photography is used as an instrument of experience and exploration. Meaning emerges from the confrontation between form and concept, contact and distance, imagination and reason in this precise space and historical moment. In the work Yto Barrada has made in the last decade in Tangier—the city that, along with Paris, witnessed her growth and training (...)
07/11/2013

FOREWORD
Concreta 00, Editing, seralisation asn copying, Nuria Enguita Mayo

Concreta 00 (Autumn, 2012) rethinks the image through a reflection on alternative ways, manifestations or forms of display or assembly related with concepts of edition, seriation and copy. This issue of the magazine features essays and articles by José Emilio Burucúa, Laura Malosetti, Enric Mira, Matthew Fuller, Damián Ortega, Pablo Lafuente, María Berríos, Max Schumann, Óscar Faria, Álvaro de los Ángeles, Milene Trindade and Oriol Fontdevila; as well as projects by Ahmad Hosni, Yuri Shibuya, Xisco Mensua and Superflex.
05/11/2012