Concreta 10

Prompts a reflection around the relationship between art and tourism in late modernity: a period when gradual museumization and touristification of the world were part of the same process. Once the artwork is no longer an object of contemplation but an experience, the hierarchical order between authentic/inauthentic experiences falls apart. To address this and other questions, the issue counts with the collaboration of José Díaz Cuyás, Eugenia Afinoguénova, Mariano de Santa Ana, Gilberto González, Dean MacCannell, James Meyer, Lena Peñate y Juan José Valencia, Richard Hamilton, Kelly Yeaton, Vicente Benet, Roberto Gil Hernández, Beatriz Herráez and George Maciunas.