Concreta 14

Proposes an entanglement between rrom, gypsies and flamencos to define camp as a real and sensitive construction, full of trompe l’oeil, tricks and traps. A nomadic cultural field that operates as an interference, beyond music and dance. Camp, in short, as a space traversed by movements of the bodies and objects that remained on the margins of history. It counts with the collaboration of Pedro G. Romero, Ethel Brooks, María García Ruiz, Teresa San Román, Pastori Filigrana, Joy Charpentier, Delaline Le Bas, Gerhard Steingress, Isaki Lacuesta, Alice Becker Ho, George Didi-Huberman, Leonardo Piasere and Alejandra Riera.